Friday, 3 April 2026

Kraftman Releases A New EP of Kraftwerk Covers

Kraftman has today released a new 4 track EP called "Music Non Stop", which features recordings of classic Kraftwerk tracks.


The EP featurtes the following tracks:

  1. Music Non Stop (7 Inch Version)
  2. Tanzmusik
  3. House Phone (Re-Connected)
  4. Music Non Stop (The Mix 7 Inch Version)

The track "Tanzmusik" is a rare Kraftwerk track that appeared on the album "Ralph & Florian". Other versions "Music Non Stop" and "House Phone" can also be found on Kraftman's complete recording of the Kraftwerk album "Electric cafe".

The EP is available as a digital download from Bandcamp:

https://kraftman.bandcamp.com/album/music-non-stop-ep

The album "Electric Cafe" is available from Bandcamp here:

https://kraftman.bandcamp.com/album/electric-cafe

Thursday, 2 April 2026

Pet Shop Boys - Album By Album (Week #13)

 SUPER

The Pet Shop Boys album "Super" is their thirteenth studio album, released on April 1, 2016, on their own label, x2, through Kobalt Label Services. It was recorded in 2015–2016, primarily in Los Angeles, with production by Stuart Price, continuing the collaboration that began with their previous album Electric (2013). The duo wrote 25 songs during the creative period, mainly in London and Berlin, ultimately selecting 11 for the album, with a strong emphasis on upbeat electronic dance tracks. The album is described by Neil Tennant as their "most 'up' record" and aims to be an evolution of the energetic dance vibe of Electric – essentially “even more electric.”

Recording and Production

Produced entirely by Stuart Price, Super features purely electronic instrumentation with no traditional instruments, embracing a contemporary synth-pop and dance music style that incorporates modern electronic textures and house influences. Recording took place in Price's Los Angeles studio, with mixing and additional programming handled by him as well. This album forms the middle part of a trilogy alongside Electric and Hotspot (2020). The artwork, designed by Mark Farrow, uses vibrant color variations on the circle motif for different formats and streaming platforms, projecting a fresh and bold visual identity.

Happiness

An upbeat, optimistic opener featuring robust synths, house-influenced beats, and a catchy melody reflecting the album’s theme of pursuit of joy.

The Pop Kids

Inspired by 1990s club culture and nostalgia, narrating stories of youth, community, and transformation set over driving synths and euphoric production.

Twenty-Something

Incorporates reggaeton influences inspired by experiences in Bogota, blending Latin rhythms with synth-pop production, thematically portraying the anxieties and uncertainties of young professionals.

Groovy

A catchy, dancefloor-friendly track with funky electronic rhythms and a playful, flirtatious vibe.

The Dictator Decides

Features sharp, punchy synths and politically tinged lyrics reflecting contemporary events; the production is aggressive and dynamic.

Pazzo!

An experimental interlude created from repurposed sounds and samples, offering a brief but intense sonic excursion (“Pazzo” means “crazy” in Italian).

Inner Sanctum

Imagines the atmosphere of Berlin’s Berghain club, characterized by deep, hypnotic beats and hypnotic synth layers, evoking a sense of exclusive nightlife spirituality.

Undertow

Smooth and sensual with atmospheric electronics, enriched by additional vocals from Jessica Freedman.

Sad Robot World

Inspired by a visit to a Volkswagen plant, the track explores themes of mechanization and alienation over a mechanical, rhythmic bed of synths and electronic beats.

Say It to Me

A straightforward, dance-oriented song that combines slick synths with a compelling groove and direct lyrics.

Burn

A dramatic, synth-heavy closer with emotional weight, layered production, and themes of destruction and renewal.

Into Thin Air

Pet Shop Boys seem to imbue this exceedingly romantic notion with something more. It's this escapist fantasy elevated to near-mystical levels, expressing a desire to get away from a too often ugly reality, even if that escape is to nirvanic oblivion.

Interesting Information

·         The album was teased through an innovative campaign including anonymous posters, street ads, and social media that asked “What is Super?”

·         The Pet Shop Boys also performed a residency at the Royal Opera House to showcase the album live.

·         Super includes songs that are inspired by travel experiences, social commentary, and nocturnal club culture, blending Pet Shop Boys’ sharp lyrical wit with invigorating dance music.

·         The album debuted at number three on the UK Albums Chart and reached number one on Billboard’s Top Dance/Electronic Albums, with the lead single “The Pop Kids” topping the Billboard Dance Club Songs chart.

Summary

Super is considered one of the duo’s most upbeat and electronically concentrated albums, continuing their successful collaboration with Stuart Price. It blends euphoric dancefloor energy with smart, often nostalgic lyrics, articulating a sophisticated celebration of youth, club culture, and modern life while retaining classic Pet Shop Boys melodic and lyrical craftsmanship.

Final thoughts….

As with the album “Electric” this album was produced by Stuart Price and the results are pretty much the same, several unlistenable tracks on this album “Happiness”, “The Pop Kids” (the track itself is alright but the production on Neil’s vocals is horrendous), “Groovy” and “Pazzo”, on the plus side “The Dictator Decides” is an outstanding track and wouldn’t have been out of place on the album “Introspective”, definitely should have been a single. Whether another producer would have made this a better album I’m not sure.

TRACK RATINGS

Each track on the album is scored on the following basis, an excellent tracks scores 3 points, a good track scores 2 points, an ok track scores 1 point and an awful track, scores no points, the total is added up and divided by the maximum number of points that would be available and then times that by 100 to get your overall score.  For example if an album scores 20 points and there are 10 tracks on the album, that means it can achieve a maximum score of 30, so divide 20 by 30 and times it by 100, it gives you a figure of 66.66, which is the final score rating for the album, in this case you would round it up to 67, if it was 66.33, you would round it down to 66. In the event there is a tie, the album with the most tracks rated at 3 ranks as higher.

Happiness 0

The Pop Kids 0

Twenty-Something 2

Groovy 0

The Dictator Decides 3

Pazzo 0

Inner Sanctum 2

Undertow 2

Sad Robot World 1

Say It To Me 1

Burn 2

Into Thin Air 1

Score 14

FINAL ALBUM RATING 39


Current Album Chart 

1.       Actually - 80 (6 Tracks Rated As 3)

2.       Please - 80 (5 Tracks Rated As 3)

3.       Introspective - 78

4.       Fundamental - 77

5.       Yes - 76

6.       Behaviour - 73

7.       Very - 69

8.       Release - 57

9.       Elysium - 50

10.   Bilingual - 47

11.   Nightlife - 42

12.   Super - 39

13.   Electric - 30

Tuesday, 31 March 2026

UK Singles Chart 1972-1989 (27th January 1973)

UK Singles Chart 27th January 1973

  • 01 (02) The Sweet - Blockbuster
  • 02 (01) Jimmy Osmond - Long Haired Lover from Liverpool
  • 03 (03) David Bowie - The Jean Jeanie
  • 04 (04) Carly Simon - You’re So Vain
  • 05 (34) Gary Glitter - Do You Wanna Touch Me (Oh Yeah)
  • 06 (06) Wizzard - Ball Park Incident
  • 07 (05) Wings - Hi Hi Hi / C Moon
  • 08 (15) Free - Wishing Well
  • 09 (23) Harold Melvin & The Bluenotes - If You Don't Know Me by Now
  • 10 (38) Elton John - Daniel
  • 11 (09) Elvis Presley - Always on My Mind
  • 12 (10) Judge Dread - Big Seven
  • 13 (16) Cat Stevens - Can’t Keep It In
  • 14 (18) The Temptations - Papa Was a Rollin’ Stone
  • 15 (24) Status Quo - Paper Plane
  • 16 (25) Billy Paul - Me and Mrs Jones
  • 17 (07) T-Rex - Solid Gold Easy Action
  • 18 (08) The Osmonds - Crazy Horses
  • 19 (ne) Strawbs - Part of The Union
  • 20 (17) Lieutenant Pigeon - Desperate Dan

Jimmy Osmonds reign at number one is over as The Sweet move up a place to the top spot, with “Blockbuster”. The Strawbs enter this week’s chart, straight in at number 19, with “Part of The Union”.

Five singles climb into the top 20 this week, “Do You Wanna Touch Me (Oh Yeah)” by Gary Glitter, who is at number 5, “If You Don’t Know Me By Now” by Harold Melvin & The Bluenotes, at number 9, “Daniel” by Elton John, at number 10, “Paper Plane” by Status Quo, which is at number 15 and “Me And Mrs Jones by Billy Paul at number 16.

Free with “Wishing Well” is this week’s biggest movers, climbing 7 places to number 8.

UK Singles Chart 1972-1989 (20th January 1973)

UK Singles Chart 20th January 1973

  • 01 (01) Jimmy Osmond - Long Haired Lover from Liverpool
  • 02 (16) The Sweet - Blockbuster
  • 03 (02) David Bowie - The Jean Jeanie
  • 04 (07) Carly Simon - You’re So Vain
  • 05 (05) Wings - Hi Hi Hi / C Moon
  • 06 (06) Wizzard - Ball Park Incident
  • 07 (03) T-Rex - Solid Gold Easy Action
  • 08 (04) The Osmonds - Crazy Horses
  • 09 (10) Elvis Presley - Always on My Mind
  • 10 (08) Judge Dread - Big Seven
  • 11 (18) Gladys Knight & The Pips - Help Me Make It Through the Night
  • 12 (11) Roy C - Shotgun Wedding
  • 13 (13) The Moody Blues - Nights in White Satin
  • 14 (09) Slade - Gudbuy T’Jane
  • 15 (26) Free - Wishing Well
  • 16 (21) Cat Stevens - Can’t Keep It In
  • 17 (19) Lieutenant Pigeon - Desperate Dan
  • 18 (37) The Temptations - Papa Was a Rollin’ Stone
  • 19 (12) Michael Jackson - Ben
  • 20 (24) The New Seekers Ft Marty Kristian - Come Softly to Me

There is no shifting Jimmy Osmond from the top of the charts, he stays at number one for a 4th week. Gladys Knight & The Pips enjoy some good fortune after dropping down to number 18 last week, they move back up the chart to number 11.

Four singles move into the top 20, “Wishing Well” by Free, who are at number 15, “Can’t Keep It In” by Cat Stevens, at number16, “Papa Was a Rollin’ Stone” by The Temptations, at number 18 and “Come Softly to Me” by The New Seekers Ft Marty Kristian, which is at number 20.

The Sweet are this week’s biggest climber; they jump 14 places to number 2.

UK Singles Chart 1972-1989 (13th January 1973)

UK Singles Chart 13th January 1973

  • 01 (01) Jimmy Osmond - Long Haired Lover from Liverpool
  • 02 (04) David Bowie - The Jean Jeanie
  • 03 (02) T-Rex - Solid Gold Easy Action
  • 04 (03) The Osmonds - Crazy Horses
  • 05 (10) Wings - Hi Hi Hi / C Moon
  • 06 (15) Wizzard - Ball Park Incident
  • 07 (20) Carly Simon - You’re So Vain
  • 08 (11) Judge Dread - Big Seven
  • 09 (05) Slade - Gudbuy T’Jane
  • 10 (13) Elvis Presley - Always on My Mind
  • 11 (08) Roy C - Shotgun Wedding
  • 12 (12) Michael Jackson - Ben
  • 13 (09) The Moody Blues - Nights in White Satin
  • 14 (07) Chuck Berry - My Ding-A-Ling
  • 15 (06) John and Yoko and The Plastic Ono Band - Happy Xmas (War Is Over)
  • 16 (ne) The Sweet - Blockbuster
  • 17 (16) Donny Osmond - Why
  • 18 (14) Gladys Knight & The Pips - Help Me Make It Through the Night
  • 19 (22) Lieutenant Pigeon - Desperate Dan
  • 20 (17) Elton John - Crocodile Rock

No change at the top of the chart, Jimmy Osmond still at number one for a third week. The Sweet go straight in the charts at number16 with “Blockbuster”. Just one record moves into the top 20 this week, Lieutenant Pigeon with “Desperate Dan”, at number 19.

This week’s biggest mover is Carly Simon with You’re So Vain”, which climbs 13 places to number 7.

UK Singles Chart 1972-1989 (6th January 1973)

 UK Singles Chart 6th January 1973 
 
 
  •  01 (01) Jimmy Osmond - Long Haired Lover from Liverpool
  •  02 (03) T-Rex - Solid Gold Easy Action
  •  03 (05) The Osmonds - Crazy Horses
  •  04 (16) David Bowie - The Jean Jeanie 
  •  05 (06) Slade -Gudbuy T’Jane
  •  06 (04) John and Yoko/Plastic Ono Band - Happy Xmas (War is Over) 
  •  07 (02) Chuck Berry - My Ding-A-Ling 
  •  08 (11) Roy C - Shotgun Wedding 
  •  09 (10) The Moody Blues - Nights in White Satin 
  •  10 (22) Wings - Hi Hi Hi / C Moon
  •  11 (18) Judge Dread - Big Seven 
  •  12 (08) Michael Jackson - Ben
  •  13 (24) Elvis Presley - Always on My Mind
  •  14 (14) Gladys Knight and the Pips - Help Me Make It Through the Night 
  •  15 (29) Wizzard - Ball Park Incident 
  •  16 (09) Donny Osmond - Why 
  •  17 (07) Elton John - Crocodile Rock
  •  18 (19) Lynsey De Paul - Getting A Drag 
  •  19 (13) The Royal Scots Dragoon Guard - Little Drummer Boy
  •  20 (27) Carly Simon - You’re So Vain

Jimmy Osmond is at number 1 for a second week with “Long Haired Lover from Liverpool”, four singles move into the top 20, “Hi Hi Hi / C Moon by Wings”, at number 10, “Always on My Mind” by Elvis Presley. At number 13, “Ball Park Incident” by Wizzard, at number 15 and Carly Simon with “You’re So Vain”, which is at number 20.

The highest climber this week is David Bowie, with “The Jean Jeanie”, which climbs 12 places to number 4.

Thursday, 26 March 2026

Pet Shop Boys - Album By Album (Week #12)

 ELECTRIC


The Pet Shop Boys album "Electric" is their twelfth studio album, released on July 14, 2013. It marked a fresh, energetic phase for the duo as their first album after leaving their long-time label Parlophone. Released on their own label, x2, through Kobalt Label Services, "Electric" was produced entirely by Stuart Price, a renowned producer known for his work with Madonna, The Killers, and New Order. The album was recorded in London, Berlin, and Los Angeles between November 2012 and April 2013, with production centered around delivering a euphoric, fresh, and upbeat dance record in contrast to the reflective tone of their previous album, Elysium. 

Recording And Production

The album's production explicitly aimed to be a “dance record” with a consistently euphoric and fresh feel. Stuart Price’s involvement brought a tight, modern electronic sound with pulsating synths, punchy beats, and layered textures. Price had previously collaborated with Pet Shop Boys on mixes and tour productions, and this album marked their first full-length collaboration. The working process happened across multiple cities, with Price mixing material in London, Los Angeles, and Berlin. The final track, "Fluorescent," was added late in the process after Chris Lowe sent a demo. The album’s sound is synth-driven but sleek, combining contemporary EDM sensibility with the duo’s signature pop lyricism.

Axis
The album opener is an instrumental synth crescendo with bold, rising electronic layers setting an energetic and anticipatory mood.

Bolshy
Features assertive beats and sharp synth hooks with lyrics brimming with confident attitude and a defiant tone.

Love Is A Bourgeois Construct
A witty and ironic track that critiques romantic idealism using clever wordplay, set against a driving dance beat with lush synth flourishes.

Fluorescent
A mesmerizing, hypnotic track with shimmering synths and tight production, characterized by staccato rhythms and a modern club feel.

Inside A Dream
A lyrically introspective but danceable song using swirling synths and a memorable melody to evoke a sense of longing and escapism.

The Last To Die
A cover of Bruce Springsteen’s song, featuring lush electronic production, paying tribute with a somber yet uplifting tone.

Shouting In The Evening
An upbeat, energetic track with catchy synth motifs and layered production that builds steadily.

Thursday (featuring Example)
A collaboration with English rapper Example, this track blends electro-pop with hip-hop elements, adding lyrical verses that bring a fresh dynamic to the album.

Vocal
The closing track is euphoric and sprawling, with layered vocals, driving beats, and an anthemic mood, cementing the album's overall feel-good dance spirit.

Interesting Information

·         "Electric" was the first in a trilogy of albums produced by Stuart Price, followed by Super (2016) and Hotspot (2020).

·         The album debuted at number three on the UK Albums Chart and reached number 26 on the US Billboard 200, marking the duo’s highest charting in two decades in both territories.

·         It was supported by the extensive Electric Tour, which included 112 concerts across 46 countries, highlighting the album’s dancefloor appeal.

·         The album cover artwork was designed by Farrow, featuring a bold, minimalist visual style complementary to the album’s sleek electronic sound.

Summary

"Electric" marked a celebratory return to dance music for the Pet Shop Boys, showcasing their ability to blend contemporary electronic production with their trademark clever lyrics and melodic sophistication. The collaboration with Stuart Price brought vitality and cohesion, resulting in one of their most energetic and widely acclaimed later-career albums.

Final thoughts….

Well, what can I say, in short it is a dreadful album, it’s interesting that at the time of release many fans were saying this was one of their best albums, however, years later it ranks low when it comes to fans listing their favourite albums from their best to their worst. I can’t even listen to this album, so much of it is unlistenable, I mean what the hell is the track “Shouting In The Evening”! “Bolshy” is another one that quite frankly assaults my ears, as does “Thursday” and “Vocal” (the live version is much more appealing).

TRACK RATINGS

Each track on the album is scored on the following basis, an excellent tracks scores 3 points, a good track scores 2 points, an ok track scores 1 point and an awful track, scores no points, the total is added up and divided by the maximum number of points that would be available and then times that by 100 to get your overall score.  For example if an album scores 20 points and there are 10 tracks on the album, that means it can achieve a maximum score of 30, so divide 20 by 30 and times it by 100, it gives you a figure of 66.66, which is the final score rating for the album, in this case you would round it up to 67, if it was 66.33, you would round it down to 66. In the event there is a tie, the album with the most tracks rated at 3 ranks as higher.

Axis 1

Bolshy 0

Love Is A Bourgeois Construct 3

Fluorescent 2

Inside A Dream 1

The Last To Die 1

Shouting In The Evening 0

Thursday 0

Vocal 0

Score 8

FINAL ALBUM RATING 30

  Current Album Chart 

1.       Actually - 80 (6 Tracks Rated As 3)

2.       Please - 80 (5 Tracks Rated As 3)

3.       Introspective - 78

4.       Fundamental - 77

5.       Yes - 76

6.       Behaviour - 73

7.       Very - 69

8.       Release 57

9.       Elysium - 50

10.   Bilingual - 47

11.   Nightlife - 42

12.   Electric - 30