Wednesday, 18 February 2026

UK Singles Charts 1972-1989 (15th January 1972)

UK Singles Chart 15th January 1972

 

  • 01 (01) The New Seekers - I'd Like to Teach the World to Sing 
  • 02 (12) Neil Reid - Mother Of Mine 
  • 03 (02) Benny Hill - Ernie (The Fastest Milkman in the West) 
  • 04 (04) The Congregation - Softly, Whispering I Love You 
  • 05 (05) Middle of the Road - Soley Soley 
  • 06 (07) Cilla Black - Something Tells Me (Something's Gonna Happen Tonight) 
  • 07 (10) Elvis Presley - I Just Can't Help Believing 
  • 08 (24) Melanie - Brand New Key 
  • 09 (08) The Johnny Pearson Orchestra - Sleepy Shores 
  • 10 (03) T. Rex - Jeepster 
  • 11 (21) America - A Horse With No Name 
  • 12 (09) Gilbert O'Sullivan - No Matter How I Try 
  • 13 (30) Cat Stevens - Morning Has Broken 
  • 14 (06) Isaac Hayes - Theme From 'Shaft' 
  • 15 (13) Val Doonican - Morning 
  • 16 (23) The Faces - Stay With Me 
  • 17 (25) The Vienna Philharmonic Orchestra - Theme From 'The Onedin Line' 
  • 18 (15) Deep Purple - Fireball 
  • 19 (14) Labi Siffre - It Must Be Love 
  • 20 (27) The John Barry Orchestra - Theme From 'The Persuaders'
No surprise The New Seekers held on to top spot in the charts, the song was actually used for an advert for Coca-Cola! Not a great deal else for me to get excited about in this weeks chart, I remember the Cat Stevens track, obviously T-Rex, although I wasn’t a big T-Rex fan.

Pet Shop Boys - Album By Album (Week #7)

 NIGHTLIFE

The Pet Shop Boys album "Nightlife", released in October 1999, is their seventh studio album and serves as a conceptual bridge to their stage musical "Closer to Heaven," which shares thematic elements and some songs with the album. The recording began in April 1998 and involved multiple producers to give the album varied musical textures. Craig Armstrong produced six tracks, bringing his background in orchestration and lush arrangements, including work with The London Session Orchestra and the Metro Voices choir. These tracks often have cinematic qualities and include the use of pedal steel guitar and orchestral strings.

Other producers included Rollo, who infused a club music vibe into tracks like "For Your Own Good" and "Radiophonic," recorded in London, and American DJ David Morales who worked with the duo in New York on singles like "I Don't Know What You Want but I Can't Give It Any More" and "New York City Boy," incorporating house and disco elements. The Pet Shop Boys produced the orchestral-based track "Happiness Is an Option," which is based on Rachmaninoff's classical piece "Vocalise," featuring oboe and backing vocals.

Thematically, "Nightlife" reflects a mature take on relationships, nightlife culture, emotional complexity, and the contrast between public and private personas. The songs explore night-time emotional landscapes, waiting, longing, and social disconnection. It is described by Tennant as a modern pop-dance take on classic romantic mood albums akin to Frank Sinatra's "In The Wee Small Hours Of The Morning."

"Nightlife" was met with positive reviews for its ambitious blending of orchestral elements with dance music and its conceptual coherence tied to the musical project. It reached number seven in the UK Albums Chart, receiving gold certification, and reflected the duo’s continuous evolution in sound and imagery at the turn of the millennium. The album's promotion included extensive media appearances and a tour, later documented in the concert film "Montage: The Nightlife Tour."

Overall, "Nightlife" stands as a sophisticated and atmospheric album that combines the electronic dance roots of Pet Shop Boys with lush orchestration and mature lyrical themes about love, desire, and the urban night.

The Pet Shop Boys album "Nightlife," released in 1999, is a loosely conceptual record themed around the nightlife experience, exploring both the excitement and darker sides of night-time escapades, relationships, waiting, and emotional complexities. It draws inspiration from the classic mood and themes of Frank Sinatra's "In the Wee Small Hours," focusing on moments and perceptions that are heightened or distorted at night.

For Your Own Good

Opening the album with a pulsating electronic beat, this track is sung from the perspective of a woman whose lover regularly goes out clubbing and stays out all night. It blends urgency and frustration with a dancefloor-ready trance influence, conveying longing and waiting.

Closer To Heaven

A lush, orchestral dance-pop piece produced by Craig Armstrong, tying directly into the stage musical of the same name. The song carries romantic and aspirational themes, with rich arrangements combining strings and electronic elements.

I Don't Know What You Want But I Can't Give It Any More

With production by David Morales, this house-influenced track deals with emotional confusion and relationship ambivalence. It is built on a sleek dance beat layered with synth textures, reflecting the night club scene’s music.

Happiness Is An Option

A track based on Sergei Rachmaninoff’s "Vocalise," featuring orchestral influences and a melancholic mood. It adds a cinematic and reflective pause in the album’s flow, produced by the Pet Shop Boys themselves.

You Only Tell Me You Love Me When You're Drunk

A country-tinged ballad about conditional and intoxicant-fueled expressions of love, with introspective lyrics paired with pedal steel guitar and subtle synths. Craig Armstrong's production emphasizes a mournful yet tender vibe.

Vampires

A moody, orchestral track with dark lyrical themes of emotional parasitism. The production uses strings and layered synths to create a haunting atmosphere, evoking the mysterious and exploitative sides of nightlife.

Radiophonic

Produced by Rollo, this club track features electronic beats and synth-driven rhythms with a nod to BBC Radiophonic Workshop-style sounds. It injects a more experimental and electronic edge into the album.

The Only One

Another Armstrong-produced piece, the song layers melodic strings and contemplative synths to convey themes of loneliness and searching for connection.

Boy Strange

A darker, club-oriented track with edgy rhythms and eerie synth passages. The lyrics and mood suggest themes of alienation and marginality within nightlife culture.

 In Denial (Duet With Kylie Minogue)

A blending of lush orchestration and dance beats, this duet between Neil Tennant and Kylie Minogue explores denial and emotional complexity in relationships. The duet adds warmth and narrative contrast to the album.

New York City Boy

A disco anthem produced with David Morales, celebrating the vibrancy, extravagance, and spectacle of New York nightlife. Lush string arrangements, driving beats, and anthemic vocals create an exuberant climax on the dancefloor.

Footsteps

Closing the album with a poignant orchestral ballad, "Footsteps" deals with waiting and emotional distance, echoing the album’s opening narrative. It features rich strings and simple, emotive melodies that bring a reflective end to the night’s journey.

"Nightlife" reached number seven on the UK Albums Chart and was praised for its ambitious fusion of orchestral elements with house, trance, disco, and synth-pop styles, showcasing the Pet Shop Boys’ artistic maturity and thematic cohesiveness centered on nocturnal emotional landscapes and club culture.

Final thoughts….

Like “Behaviour” this album is all over the place, no consistency whatsoever, which Isn’t a surprise as a number of different producers were used on the songs. The latter half of the album is quite woeful if I’m honest and not much really to get excited about across the whole album, although I do think “You Only Tell Me You Love Me When You’re Drunk” is genius!

TRACK RATINGS

Each track on the album is scored on the following basis, an excellent tracks scores 3 points, a good track scores 2 points, an ok track scores 1 point and an awful track, scores no points, the total is added up and divided by the maximum number of points that would be available and then times that by 100 to get your overall score.  For example if an album scores 20 points and there are 10 tracks on the album, that means it can achieve a maximum score of 30, so divide 20 by 30 and times it by 100, it gives you a figure of 66.66, which is the final score rating for the album, in this case you would round it up to 67, if it was 66.33, you would round it down to 66. In the event there is a tie, the album with the most tracks rated at 3 ranks as higher.

For Your Own Good 1

Closer To Heaven 2

I Don’t Know What You Want But I Can’t Give It Any More 2

Happiness Is An Option 1

You Only Tell Me You Love Me When You’re Drunk 3

Vampires 1

Radiophonic 1

The Only One 1

Boy Strange 0

In Denial 0

New York City Boy 2

Footsteps 1

Score 15

FINAL ALBUM RATING 42


Current Album Chart

 1.       Actually - 80 (6 Tracks Rated As 3)

2.       Please - 80 (5 Tracks Rated As 3)

3.       Introspective - 78

4.       Behaviour - 73

5.       Very - 69

6.       Bilingual - 47

7.       Nightlife - 42

Tuesday, 17 February 2026

The UK Singles Charts 1972-1989

My keen interest in music started when I was at primary school, I was 10 at the time and in January 1972 I started listening to the Chart Countdown show on Radio 1, which back then was on a Tuesday lunchtime, I used to take my pocket radio into school so I could listen to the show, around the same time I started buying music magazines, one of which was Record Mirror.

I thought it would be a good idea to list the weekly charts from the 1st January 1972 on this blog, I am sure some of you also listened to the charts back then, so it will be a trip down memory lane for you, it certainly will be for me.

So, here we go with the first UK Singles Chart from 1972.....

UK Singles Chart 8th January 1972  










  • 01 (04) The New Seekers - I'd Like to Teach the World To Sing 
  • 02 (01) Benny Hill - Ernie (The Fastest Milkman in the West) 
  • 03 (02) T. Rex - Jeepster 
  • 04 (06) The Congregation - Softly Whispering I Love You 
  • 05 (09) Middle of the Road - Soley Soley 
  • 06 (05) Isaac Hayes - Theme From 'Shaft' 
  • 07 (03) Cilla Black - Something Tells Me (Something's Gonna Happen Tonight) 
  • 08 (13) Johnny Pearson Orchestra - Sleepy Shores 
  • 09 (08) Gilbert O'Sullivan - No Matter How I Try 
  • 10 (16) Elvis Presley - I Just Can't Help Believing 
  • 11 (07) John Kongos - Tokoloshe Man 
  • 12 (18) Neil Reid - Mother of Mine 
  • 13 (12) Val Doonican - Morning 
  • 14 (15) Labi Siffre - It Must Be Love 
  • 15 (17) Deep Purple - Fireball 
  • 16 (14) Slade - Coz I Luv You 
  • 17 (21) New World - Kara Kara 
  • 18 (20) Tony Christie - Is This the Way to Amarillo? 
  • 19 (10) Cher - Gypsies, Tramps and Thieves 
  • 20 (22) Cliff Richard - Sing A Song of Freedom (Re-Entry)
The New Seekers knocked Benny Hill off the summit to claim the first new #1 of the year.



























































I remember liking the song "I'd Like To Teach The World To Sing" and certainly remember the Benny Hill track "Ernie (The Fastest Milkman In The West)" and I also liked Slade's track "Goodbye T'Jane". Really surprised that Tony Christie was in the charts back in 1972 with "(Is This The Way To) Amarillo", made famous by Peter kay many years later when it became a big hit once more.

Sunday, 15 February 2026

i-Select #127

White Lion Radio have released edition #127 of i-Select.

This is a series of shows that focuses on Electronic/Synthpop bands from around the world, that are unsigned, signed to a small independent label or self release their material.

If you like electronic music, you will enjoy this show

You can listen to the show via Mixcloud:

https://www.mixcloud.com/whitelionradio/i-select-127/

Full Playlist

BlakLight - Buried Alive (Dancing Plague Remix)
Exposed Brick - Bob (Extended Version)
Liquid 1nc. - Liquid Lunch (Perfect Female Type Remix)
Vogon Poetry & SCALA - Starfields
Jessy Mach - Ghosting The Law
Conscience - The Process
Lunar Plexus - Chemistry
Lifelong Corporation - The Broken Ground
Amber Rhey - Living For The TV
Maschine Brennt - Into The Maze (Edit)
Spring Break - Forever Lover
JXNS - Spectres In The Rain
Dani Tamayo - Feedback
Covered in Snow - Homecoming (Uncreated Remix)
The Singularity - Not A Machine
Projekt Ich Ft Conscience - Sister (Nature Of Wires Remix)
Vihana - Fool
Exposed Brick - Jericho Lane
Mayah Camara & Syst3m Glitch - Rhythm Is Gonna Get You
Execunit - World Domination
Ajay Mathur - Ungrateful
BlakLight - One Last Time
Andrew Corbin - Already Here (Crom Wizard Remix)
Lifelong Corporation - Lights
Glenn Main & July Sax-Sax You Up
Conscience - Memories Do Always Win (Extended Remix)
Dani Tamayo - Cold Island
Liquid 1nc - Liquid Soul (Project K Remix)
MNTL - I Don't Wanna Lose This
Dead Poets - I Automation
Whitewaits - Touch And Go (BlakLight Remix)
Maschine Brennt - Digital Detox

Friday, 13 February 2026

New Positronic album "Interstellar" Reviewed

Michael McDannold AKA Positronic continues his prolific run of releases with a brand new album called "Interstellar" and as we have come to expect, we have a set of synthpop gems.

The album opens with the excellent upbeat "Cosmic Dreams", which has strong hooks and is actually a well constructed track with wonderful synth sounds and "Erasure" inspired melodies, certainly a sign that Michael's songwriting continues to impress, fabulous track.

The single "Gravity" is definitely one for the dancefloor with it's dance beat, some nice sequenced melodies on this song and a very strong vocal with excellent lyrics.

"Rise" opens with a fabulous sequencer synth patterns, excellent bass-line, I like the feel of this track, a more meloncholic song, again the synth sounds are superb, I wasn't expecting the chorus, very strong and cuts through the more minimalistic sound perfectly, nice vocal delivery. It reminded me of Depeche Mode in parts, one of my favourite tracks on the album.

The single "In The Stars Tonight" is a belter of a track, one for the dancefloor, a solid and powerful song with a superb chorus, the whole track shines, excellent music and vocals, no surprise it was chosen as a single, a superbly produced track. My favourite track on the album.

Back to the dancefloor again with "A Sky Full Of Stars", upbeat, great structure on this song, what I would call a "banger", I like everything about this song, very uplifting and powerful chorus driven by a strong rhythmic section, another very strong track, the chorus is truly delightful, a track that was released as a single.

You can tell Michael is a big fan of Erasure, especially so on "Inception", it has a beautiful melody that runs through the song, with gentle sequencers, a perfect instrumental interlude.

When I first saw the title "Strangelove", I thought it was a cover of the Depeche Mode track, but it isn't, it is a a mid-paced song which for me showcases how Michael has developed his vocal skills, a perfect marriage with the electronic backdrop of the song, some nice melody parts again, something I think Michael really excells in. This is also the latest track off the album to be released as a single.

"Starlight" has a throbbling bass-line and excellent sequencer parts once again, a strong and confident vocal over a darker synth pallette, not as instant as other tracks on the album, however, after several listens you come to appreciate the layers and depth of this song.

"Through The Stars" is probably my least favourite track on the album, it's good but it didn't draw me in like other tracks on the album, that said I did like his use of synths.

Next we have a darker track, "Andromeda" deep bass dominates this track, which kicks into life at the 1 minute mark and opens up to some wonderful synth work, like "Inception" it is an instrumental but the melody at the 1 minute 30 secs mark is devine, another track I enjoyed.

The beautiful ballad "Glow" is next which has a more minimalistic backdrop that gives centre stage to Michaels vocals, I do like how the track develops and builds, a strong song in this set.

I do like the ryhthm track on "The Light" that evolves nicely with the bass parts and gentle sequencers, a track that showcases Michaels confident vocal, some really nice synth sounds used to great effect, I love the chorus, a stunning track and one of the best tracks on the album.

What a bonus!! A cover of "Neverending Story" which fits in nicely within the whole concept of this album and what a cover version, he has stayed true to the original version in its structure, a very well thought out cover version without a doubt. Another confident vocal, in short it is perfect! A welcome addition to the album and one of Michael's best ever tracks, fabulous!

"Echos Through Time" is a wonderful atmospheric track opening with beautiful pads and sounds, nice bass-line and a simple drum structure, which suits the song. I like how the track grows, it keeps to its ballad roots, a very impressive and immersive track, another big favourite of mine.

I have followed Michaels music very closely over several years now and have had the pleasure to review his albums and once again he has produced an album of real quality, raising the bar even further with his songwriting skills, another body of work he should be really proud of and highly recommend this album, if you love synthpop and are especially a fan of Vince Clarke and Erasure, a pleasure to listen to from start to finish.

8.5/10 

The album is available on CD and as a Digital Download via Bandcamp here 

Wednesday, 11 February 2026

Pet Shop Boys - Album By Album (Week 6)


BILINGUAL

The Pet Shop Boys' sixth studio album "Bilingual", released on September 2, 1996, showcases a significant evolution in their sound by infusing Latin American and world music influences into their synth-pop style. Their exposure to Latin rhythms, particularly during their 1994 Discovery Tour across South America, notably impacted the album’s thematic and sonic palette. The duo began work on the album in 1994, starting at Unique Studios in New York, revisiting the studio where they originally recorded "West End Girls." This geographically diverse recording process also included sessions in London, New York, and Moscow, reflecting the global inspirations behind the album.

"Bilingual" was partly conceptualized around the idea of bilingualism, mixing English with Spanish and Portuguese lyrics, as heard on tracks like "Discoteca," "Single-Bilingual," and "Se a vida é (That's the Way Life Is)." This cultural blending added fresh rhythmic textures and vocal harmonies to the album, further enriched by live percussion from specialists such as the Scottish samba ensemble SheBoom and Brazilian-inspired instruments like the berimbau and cuícas. The album continues the richly layered production and vocal harmonies that the Pet Shop Boys had embraced since their previous album "Very."

The album’s track list includes standout singles that successfully charted in the UK top 20, such as "Before," "Se a vida é," and "A Red Letter Day." These songs feature a combination of catchy melodies, sophisticated electronic production, and internationally influenced rhythms. The production team included longtime collaborator Chris Porter and club DJ Danny Tenaglia, who added dance music credibility and contemporary rhythmic elements to the record.

Noteworthy is the album’s innovative packaging, designed by Mark Farrow, which used frosted, sandblasted CD cases that mirrored the artistic ambition of the music itself. "Bilingual" reached number four on the UK Albums Chart and received gold certification, confirming both critical and commercial success.

An extended special edition was later released, adding bonus discs with remixes and previously unreleased tracks that expanded on the album’s dancefloor sensibility and world music inspirations.

Overall, "Bilingual" represents a mature work that blends Pet Shop Boys’ signature synth-pop with diverse world music influences, particularly Latin American, while continuing their tradition of clever lyricism and sophisticated productions, making it a distinctive and influential chapter in their storied catalog.

Discoteca

Opening with lively Latin rhythms, "Discoteca" blends English and Spanish lyrics, embodying the album's Latin dance influence. The track features pulsating percussion, electronic synths, and a club-ready beat, with lyrics celebrating dancefloor escape and cultural fusion.

Single-Bilingual

This track continues the bilingual theme with smooth, catchy synth-pop infused with dance beats. The lyrics explore themes of independence and nonconformity within relationships, with vibrant production mixing Latin percussion layers and electronic textures.

 Metamorphosis

A more introspective and atmospheric track, "Metamorphosis" plays with a dreamy synth arrangement and layered vocals. The theme centers around personal transformation and change, enhanced by subtle production that contrasts with the album’s more rhythmically intense songs.

Electricity

Up-tempo and driven by a rich house beat, "Electricity" invokes the power and intensity of dance music culture. The production is sleek, blending classic synth-pop with contemporary '90s club sounds, reflecting the duo’s dancefloor roots.

Se A Vida E (That's The Way Life Is)

Drawing from Brazilian rhythms, this track features Portuguese lyrics and live percussion instruments like the berimbau. It presents an optimistic outlook on life’s unpredictability and resilience, with production that integrates authentic Latin sounds and textured synth layers.

It Always Comes as a Surprise

A longer, more expansive composition, the song uses a sample from Brazilian singer Astrud Gilberto and features percussion samples like cuícas, emphasizing jazz and samba influences. Its contemplative lyrics about love and unexpected emotional shifts are matched by a rich, layered instrumental backdrop.

A Red Letter Day

This song integrates electronic beats with backing vocals by the Choral Academy of Moscow, adding a dramatic, almost anthemic feel. Lyrics convey hope and optimism amidst uncertainty, supported by production that melds classical choir elements with synth-driven pop.

Up Against It

Featuring a steadier groove and vibrant synth patterns, "Up Against It" carries themes of confrontation and resilience. The production balances dance beats and pop sensibility, creating a track that is both energetic and direct.

The Survivors

This track has a reflective, mature tone with themes of endurance and perseverance. The arrangement uses gentle synth pads and a steady rhythm, underscoring the song’s contemplative mood without overwhelming energy.

Before

Produced with club legend Danny Tenaglia, "Before" is one of the album’s definitive dance tracks. It features strong house beats, layered vocals, and catchy hooks, with lyrics reflecting anticipation and longing.

To Step Aside

This song includes a sample of Spanish gypsy music, blending traditional sounds with electronic production. It has a smooth, danceable beat and explores themes of moving on and seeking new directions.

Saturday Night Forever

A vibrant closing track, it combines classic synth-pop melodies with upbeat rhythms suitable for the dancefloor. Themes revolve around celebration and continuity, a fitting finale that embodies the album’s optimistic spirit.

Overall, "Bilingual" is defined by its fusion of Latin and world music elements with the Pet Shop Boys' signature synth-pop, seamlessly combining thoughtful lyrics with diverse rhythmic and instrumental textures. The album highlights the duo’s experimentation with bilingual lyrics, live percussion, and collaborations, creating a richly layered and culturally expansive work within their discography.

Final thoughts….

I found this album tough to get into when it was first released and my opinion hasn’t changed, in addition some of the choices for singles is questionable too, not an album I tend to play a great deal.

TRACK RATINGS

Each track on the album is scored on the following basis, an excellent tracks scores 3 points, a good track scores 2 points, an ok track scores 1 point and an awful track, scores no points, the total is added up and divided by the maximum number of points that would be available and then times that by 100 to get your overall score.  For example if an album scores 20 points and there are 10 tracks on the album, that means it can achieve a maximum score of 30, so divide 20 by 30 and times it by 100, it gives you a figure of 66.66, which is the final score rating for the album, in this case you would round it up to 67, if it was 66.33, you would round it down to 66. In the event there is a tie, the album with the most tracks rated at 3 ranks as higher.

Discoteca 1

Single-Bilingual 1

Metamorphosis 1

Electricity 0

Se A Vida E (That’s The Way Life Is) 3

It Always Comes As A Surprise 2

A Red Letter Day 2

Up Against It 2

The Survivors 2

Before 1

To Step Aside 2

Saturday Night Forever 0

Score 17

FINAL ALBUM RATING 47 

Current Album Chart 

1.       Actually - 80 (6 Tracks Rated As 3)

2.       Please - 80 (5 Tracks Rated As 3)

3.       Introspective - 78

4.       Behaviour - 73

5.       Very - 69

6.    Bilingual 47

Sunday, 8 February 2026

Maximum 80s #145

Welcome to edition 145 of Maximum 80s here on White Lion Radio, a show that celebrates the 1980s 12 Inch Single!


This a series of shows that features some of the finest 12 Inch Singles from the 80s all in one continuous mix.

The biggest hits in the 12 Inch format from the greatest decade in music history!

Listen to the show on Mixcloud here

Playlist

Evelyn 'Champagne' King - I'm In Love (12 Inch Version)
Visage - Visage (12 Inch Dance Mix)
Spandau Ballet - Chant No 1 (12 Inch Mix)
Duran Duran - Girls On Film (Night Version)
Soft Cell - Tainted Love & Where Did Our Love Go (12 Inch Version)
Hi-Gloss - You'll Never Know (12 Inch Version)
Imagination - In And Out Of Love (12 Inch Mix)
Heaven 17 - Play To Win
Depeche Mode - Just Can't Get Enough (Schizo Mix)
ABC - Tears Are Not Enough (12 Inch Mix)
Kim Wilde - Cambodia & Reprise (12 Inch Version)
Simple Minds - Sweat In Bullet (Extended Remix)