NIGHTLIFE
The Pet Shop Boys album "Nightlife",
released in October 1999, is their seventh studio album and serves as a
conceptual bridge to their stage musical "Closer to Heaven," which
shares thematic elements and some songs with the album. The recording began in
April 1998 and involved multiple producers to give the album varied musical
textures. Craig Armstrong produced six tracks, bringing his background in
orchestration and lush arrangements, including work with The London Session
Orchestra and the Metro Voices choir. These tracks often have cinematic
qualities and include the use of pedal steel guitar and orchestral strings.
Other producers included Rollo, who infused a club
music vibe into tracks like "For Your Own Good" and
"Radiophonic," recorded in London, and American DJ David Morales who
worked with the duo in New York on singles like "I Don't Know What You
Want but I Can't Give It Any More" and "New York City Boy,"
incorporating house and disco elements. The Pet Shop Boys produced the
orchestral-based track "Happiness Is an Option," which is based on
Rachmaninoff's classical piece "Vocalise," featuring oboe and backing
vocals.
Thematically, "Nightlife" reflects a mature
take on relationships, nightlife culture, emotional complexity, and the
contrast between public and private personas. The songs explore night-time
emotional landscapes, waiting, longing, and social disconnection. It is
described by Tennant as a modern pop-dance take on classic romantic mood albums
akin to Frank Sinatra's "In The Wee Small Hours Of The Morning."
"Nightlife" was met with positive reviews
for its ambitious blending of orchestral elements with dance music and its
conceptual coherence tied to the musical project. It reached number seven in
the UK Albums Chart, receiving gold certification, and reflected the duo’s
continuous evolution in sound and imagery at the turn of the millennium. The
album's promotion included extensive media appearances and a tour, later
documented in the concert film "Montage: The Nightlife Tour."
Overall, "Nightlife" stands as a
sophisticated and atmospheric album that combines the electronic dance roots of
Pet Shop Boys with lush orchestration and mature lyrical themes about love,
desire, and the urban night.
The Pet Shop Boys album "Nightlife,"
released in 1999, is a loosely conceptual record themed around the nightlife
experience, exploring both the excitement and darker sides of night-time
escapades, relationships, waiting, and emotional complexities. It draws
inspiration from the classic mood and themes of Frank Sinatra's "In the
Wee Small Hours," focusing on moments and perceptions that are heightened
or distorted at night.
For Your Own Good
Opening the album with a pulsating electronic beat,
this track is sung from the perspective of a woman whose lover regularly goes
out clubbing and stays out all night. It blends urgency and frustration with a
dancefloor-ready trance influence, conveying longing and waiting.
Closer To Heaven
A lush, orchestral dance-pop piece produced by Craig Armstrong,
tying directly into the stage musical of the same name. The song carries
romantic and aspirational themes, with rich arrangements combining strings and
electronic elements.
I Don't Know What You
Want But I Can't Give It Any More
With production by David Morales, this
house-influenced track deals with emotional confusion and relationship
ambivalence. It is built on a sleek dance beat layered with synth textures,
reflecting the night club scene’s music.
Happiness Is An Option
A track based on Sergei Rachmaninoff’s
"Vocalise," featuring orchestral influences and a melancholic mood.
It adds a cinematic and reflective pause in the album’s flow, produced by the
Pet Shop Boys themselves.
You Only Tell Me You Love Me When You're Drunk
A country-tinged ballad about conditional and
intoxicant-fueled expressions of love, with introspective lyrics paired with
pedal steel guitar and subtle synths. Craig Armstrong's production emphasizes a
mournful yet tender vibe.
Vampires
A moody, orchestral track with dark lyrical themes of
emotional parasitism. The production uses strings and layered synths to create
a haunting atmosphere, evoking the mysterious and exploitative sides of
nightlife.
Radiophonic
Produced by Rollo, this club track features electronic
beats and synth-driven rhythms with a nod to BBC Radiophonic Workshop-style
sounds. It injects a more experimental and electronic edge into the album.
The Only One
Another Armstrong-produced piece, the song layers
melodic strings and contemplative synths to convey themes of loneliness and
searching for connection.
Boy Strange
A darker, club-oriented track with edgy rhythms and
eerie synth passages. The lyrics and mood suggest themes of alienation and
marginality within nightlife culture.
In Denial (Duet With
Kylie Minogue)
A blending of lush orchestration and dance beats, this
duet between Neil Tennant and Kylie Minogue explores denial and emotional
complexity in relationships. The duet adds warmth and narrative contrast to the
album.
New York City Boy
A disco anthem produced with David Morales,
celebrating the vibrancy, extravagance, and spectacle of New York nightlife.
Lush string arrangements, driving beats, and anthemic vocals create an
exuberant climax on the dancefloor.
Footsteps
Closing the album with a poignant orchestral ballad,
"Footsteps" deals with waiting and emotional distance, echoing the
album’s opening narrative. It features rich strings and simple, emotive
melodies that bring a reflective end to the night’s journey.
"Nightlife" reached number seven on the UK
Albums Chart and was praised for its ambitious fusion of orchestral elements
with house, trance, disco, and synth-pop styles, showcasing the Pet Shop Boys’
artistic maturity and thematic cohesiveness centered on nocturnal emotional
landscapes and club culture.
Final thoughts….
Like “Behaviour” this album is all over the place, no
consistency whatsoever, which Isn’t a surprise as a number of different
producers were used on the songs. The latter half of the album is quite woeful
if I’m honest and not much really to get excited about across the whole album, although I do think “You Only Tell Me You Love Me When You’re Drunk” is genius!
TRACK RATINGS
Each track on
the album is scored on the following basis, an excellent tracks scores 3
points, a good track scores 2 points, an ok track scores 1 point and an awful
track, scores no points, the total is added up and divided by the maximum
number of points that would be available and then times that by 100 to get your
overall score. For example if an album
scores 20 points and there are 10 tracks on the album, that means it can
achieve a maximum score of 30, so divide 20 by 30 and times it by 100, it gives
you a figure of 66.66, which is the final score rating for the album, in this
case you would round it up to 67, if it was 66.33, you would round it down to
66. In the event there is a tie, the album with the most tracks rated at 3
ranks as higher.
For Your Own Good 1
Closer To Heaven 2
I Don’t Know What You Want But I Can’t Give It Any More 2
Happiness Is An Option 1
You Only Tell Me You Love Me When You’re Drunk 3
Vampires 1
Radiophonic 1
The Only One 1
Boy Strange 0
In Denial 0
New York City Boy 2
Footsteps 1
Score 15
FINAL ALBUM RATING 42
Current Album Chart
1. Actually - 80
(6 Tracks Rated As 3)
2. Please - 80
(5 Tracks Rated As 3)
3. Introspective
- 78
4. Behaviour - 73
5. Very - 69
6. Bilingual - 47
7. Nightlife - 42
