Wednesday, 25 February 2026

UK Singles Chart 1972-1989 (12th February 1972)

 UK Singles Chart 12th February 1972

  • 01 (01) T. Rex - Telegram Sam 
  • 02 (11) Chicory Tip - Son of My Father 
  • 03 (03) Neil Reid - Mother of Mine 
  • 04 (02) The New Seekers - I'd Like to Teach the World to Sing 
  • 05 (07) The Chi-Lites - Have You Seen Her? 
  • 06 (04) America - Horse With No Name 
  • 07 (09) Al Green - Let's Stay Together 
  • 08 (05) Melanie - Brand New Key 
  • 09 (25) Slade - Look Wot You Dun 
  • 10 (16) Sonny and Cher - All I Ever Need is You 
  • 11 (06) The Faces - Stay With Me 
  • 12 (08) Donnie Elbert - Where Did Our Love Go? 
  • 13 (10) Elvis Presley - I Just Can't Help Believing 
  • 14 (12) Greyhound - Moon River 
  • 15 (17) Don McLean - American Pie 
  • 16 (23) The Fortunes - Storm in a Teacup 
  • 17 (28) Badfinger - Day After Day 
  • 18 (14) Bread - Baby I'm-A Want You 
  • 19 (15) Sly and the Family Stone - Family Affair 
  • 20 (26) Bee Gees - My World 

  • This week, one British Glam rock band, T. Rex continued its reign at the top of the UK Top 20, as another (Slade) made an impressive jump into the new Top 10 with their latest release, "Look Wot You Dun". I was a fan of Slade and bought some of their singles but not the single in this weeks chart, Neil Reid still in the Top 3!

    UK Singles Chart 1972-1989 (5th February 1972)

     UK Singles Chart 5th February 1972

  • 01 (03) T. Rex - Telegram Sam 
  • 02 (01) The New Seekers - I'd Like to Teach the World to Sing (In Perfect Harmony) 
  • 03 (02) Neil Reid - Mother of Mine 
  • 04 (04) America - Horse With No Name 
  • 05 (05) Melanie - Brand New Key 
  • 06 (07) The Faces - Stay With Me 
  • 07 (17) The Chi-Lites - Have You Seen Her? 
  • 08 (08) Donnie Elbert - Where Did Our Love Go? 
  • 09 (10) Al Green - Let's Stay Together 
  • 10 (06) Elvis Presley - I Just Can't Help Believing 
  • 11 (30) Chicory Tip - Son of My Father 
  • 12 (15) Greyhound - Moon River 
  • 13 (09) Cat Stevens - Morning Has Broken 
  • 14 (20) Bread - Baby I'm-a Want You 
  • 15 (23) Sly and the Family Stone - Family Affair 
  • 16 (19) Sonny and Cher - All I Ever Need is You 
  • 17 (27) Don McLean - American Pie 
  • 18 (11) Middle of the Road - Soley Soley 
  • 19 (12) The Johnny Pearson Orchestra - Sleepy Shores 
  • 20 (13) The John Barry Orchestra - Theme From 'The Persuaders'
  • The New Seekers reign at Number 1 ends, with T.Rex topping the charts with "Telegram Sam", Neil Reid can cou nt himself unluck not to make number 1, as it has been around the Top 3 for a few weeks, a song I have never heard of by the way. The Chi-Lites continue to rise in the charts and Don McLean's "American Pie" enters the Top 20. 
     

    Pet Shop Boys - Album By Album (Week #8)

    RELEASE

    The Pet Shop Boys album "Release" is their eighth studio album, released on April 1, 2002, by Parlophone/EMI. It was recorded between 2000 and 2001, primarily at Neil Tennant's home studio in County Durham, marking a period of isolation and reflection for the duo. This geographical separation from London influenced the album’s more introspective and contemplative tone. The album is noted for its significant stylistic departure from the duo’s previous dance-oriented work, featuring a guitar-driven sound with a blend of electronic elements. Despite the organic feel, most guitars and drums are sampled or synthesized to sound realistic, maintaining a polished production aesthetic typical of the Pet Shop Boys.

    The production was handled mainly by the duo themselves, with the exception of the track "London," produced and co-written by Chris Zippel in Berlin. The sound incorporates a more muted, melancholic atmosphere compared to previous records, with contributions from ex-Smiths guitarist Johnny Marr adding a touch of organic instrumentation in some arrangements.

    "Release" includes ten tracks that explore themes of emotional detachment, longing, and complex relationships, wrapped in sophisticated arrangements that blend electronic and pop with alternative rock influences.

    The album reached number seven on the UK Albums Chart and number three in Germany, receiving mixed to positive reviews. Critics praised the maturity and depth of the songwriting and production, though some noted the departure from their trademark upbeat dance sounds made it less accessible to casual listeners.

    "Release" stands as a reflective and artistically ambitious record in the Pet Shop Boys catalog, highlighting their willingness to evolve their sound and explore more nuanced emotional landscapes within the framework of synth-pop and electronic music.

    Home And Dry

    The lead single features a bittersweet melody wrapped in a polished blend of guitars and synth textures. The lyrics explore themes of vulnerability, trust, and emotional openness, while the production combines organic guitar sounds with subtle electronic beats that create a melancholic yet warm atmosphere.

    I Get Along

    A mellow and reflective track with understated guitar work and restrained electronic undertones. The song's lyrics focus on themes of resilience and independence, capturing a sense of emotional self-sufficiency within melancholic instrumentation, with a political edge.

    Birthday Boy

    Longer and more atmospheric, this track blends dreamy synth pads with delicate guitars and drum programming. Its cryptic lyrics evoke a sense of nostalgia and introspection, balancing ambient textures with melodic pop sensibilities. 

    London

    Produced and co-written by Chris Zippel, "London" features lush synth layers intertwined with gentle guitar lines. The lyrics paint a moody portrait of the city, evoking both beauty and alienation. Its production is atmospheric and more electronic compared to other tracks on the album.

    E-Mail

    An upbeat yet subtle track driven by electronic beats and synth hooks, "E-Mail" contemplates the disconnected nature of digital communication and the longing for real human interaction. The production is sleek with a cool, modern vibe.

    The Samurai In Autumn

    This track features a blend of soft guitar and synth elements with introspective lyrics that suggest themes of change and conflict, metaphorically drawing on the samurai imagery. The production channels a contemplative mood with layered instrumentation.

    Love Is A Catastrophe

    Combining acoustic and electronic instrumentation, this song explores the chaos and unpredictability of love. Its arrangement uses cascading guitar riffs alongside spacious synths, underscoring the lyrical complexity about emotional turmoil.

    Here

    A more minimal track with a subdued arrangement, featuring gentle guitars and restrained synths, "Here" offers a quiet, intimate reflection on presence and emotional focus.

    The Night I Fell in Love

    Dreamy and jazzy in tone, this track uses smooth synth textures and soft percussion to create a sensual atmosphere. The lyrics narrate a romantic encounter, with a mood that is both tender and playful.

    You Choose

    Closing the album, this song balances acoustic and electronic sounds with thoughtful lyrics about choices and relationships. The production delivers a relaxed and contemplative feeling, bringing the album to a gentle conclusion.

    "Release" is notable for the involvement of former Smiths guitarist Johnny Marr, whose contributions on guitar enriched the album’s organic textures. The Pet Shop Boys worked primarily from Neil Tennant's home studio, focusing on crafting a mature, more subdued sound compared to their dance-floor oriented previous albums. The album highlights emotional depth, blending guitar-based arrangements with their signature electronic sophistication.

    Although "Release" received mixed-to-positive reviews and moderate commercial success, it stands as an artistically bold statement showcasing the duo's willingness to evolve and explore new sonic landscapes while maintaining their lyrical sharpness and pop craftsmanship.

    Final thoughts….

    Too much guitar on this album for my liking and not enough quality tracks, it is pleasant enough to listen too, but lacks any real spark.

    TRACK RATINGS

    Each track on the album is scored on the following basis, an excellent tracks scores 3 points, a good track scores 2 points, an ok track scores 1 point and an awful track, scores no points, the total is added up and divided by the maximum number of points that would be available and then times that by 100 to get your overall score.  For example if an album scores 20 points and there are 10 tracks on the album, that means it can achieve a maximum score of 30, so divide 20 by 30 and times it by 100, it gives you a figure of 66.66, which is the final score rating for the album, in this case you would round it up to 67, if it was 66.33, you would round it down to 66. In the event there is a tie, the album with the most tracks rated at 3 ranks as higher.

    Home And Dry 2

    I Get Along 1

    Birthday Boy 2

    London 2

    E-Mail 2

    The Samurai In Autumn 1

    Love Is A Catastrophe 1

    Here 2

    The Night I Fell In Love 1

    You Choose 3

    Score 17

    FINAL ALBUM RATING 57

     Current Album Chart

          1.       Actually - 80 (6 Tracks Rated As 3)

    2.       Please - 80 (5 Tracks Rated As 3)

    3.       Introspective - 78

    4.       Behaviour - 73

    5.       Very - 69

    6.       Release - 57

    7.       Bilingual - 47

    8.       Nightlife - 42

    Tuesday, 24 February 2026

    Kraftman To Release A Complete Recording Of The Kraftwerk Album "Electric Cafe"

    Kraftman is to release a complete recording of the Kraftwerk album "Electric Cafe" on February 27th, the 3rd album of Kraftwerk's he has done a full recording of.


    Kraftman's version features all 6 tracks that were featured on Kraftwerk's original version of the album and a new arrangement of the track "House Phone", Kraftwerk included a track called "House Phone" on later editions of the album and it was also a B side to their single "The Telephone Call", this however, is effectively a Kraftman original song, in addition the album features 5 exclusive remixes, all new Kraftman arrangements, with the exception of "Sex Object (12 Inch Synthetic Remix)", which is based on the album version.

    Track listing for the CD/Digital Download & Track Lengths

    Boing Boom Tschak 3:57

    Techno Pop 7:28

    Music Non Stop 5:50

    The Telephone Call 5:15

    Sex Object 6:52

    Electric Cafe 4:17

    Boing Boom Tschak (Expanded) 6:09*

    Music Non Stop (Extended Version) 8:30*

    The Telephone Call (Long Distance) 8:08*

    Sex Object (12 Inch Synthetic Remix) 6:39*

    Electric Cafe (12 Inch Version) 6:23*

    *Bonus Tracks

    The CD edition also comes with a FREE Digital Download code. 

    The album is available as a limited edition CD and as a Digital Download on Bandcamp here:

    https://kraftman.bandcamp.com/album/electric-cafe

    Friday, 20 February 2026

    UK Singles Chart 1972-1989 (29th January 1972)

    UK Singles Chart 29th January 1972 

    • 01 (01) The New Seekers - I'd Like to Teach the World to Sing 
    • 02 (02) Neil Reid - Mother of Mine 
    • 03 (**) T. Rex - Telegram Sam 
    • 04 (03) America - Horse With No Name 
    • 05 (04) Melanie - Brand New Key 
    • 06 (06) Elvis Presley - I Just Can't Help Believing 
    • 07 (08) The Faces - Stay With Me 
    • 08 (16) Donnie Elbert - Where Did Our Love Go? 
    • 09 (10) Cat Stevens - Morning Has Broken 
    • 10 (17) Al Green - Let's Stay Together 
    • 11 (07) Middle of the Road - Soley Soley 
    • 12 (09) The Johnny Pearson Orchestra - Sleepy Shores 
    • 13 (20) The John Barry Orchestra - Theme From 'The Persuaders' 
    • 14 (05) The Congregation - Softly, Whispering I Love You 
    • 15 (24) Greyhound - Moon River 
    • 16 (15) The Vienna Philharmonic Orchestra - Theme From 'The Onedin Line' 
    • 17 (27) The Chi-Lites - Have You Seen Her? 
    • 18 (11) Gilbert O'Sullivan - No Matter How I Try 
    • 19 (30) Sonny and Cher - All I Ever Need is You 
    • 20 (28) Bread - Baby, I'm-a Want You

    The New Seekers hold on to top spot for another week, quite a few singles enjoy a decent run in the Top 20, Elvis Presley, Cat Stevens, America. Really liked the Chi-Lights track "Have You Seen Her?". Another standout for me back then was Donnie Elbert's cover of The Supreme's track "Where Did Our Love Go?", which is a track Soft Cell recorded years later.

    Entering the chart this week at Number 3, Telegram Sam would go on to become the group's third British chart topper, a brilliant single and a favourite of mine at the time.   

    UK Singles Chart 1972-1989 (22nd January 1972)

    UK Singles Chart 22nd January 1972 

    • 01 (01) The New Seekers - I'd Like to Teach the World to Sing 
    • 02 (02) Neil Reid - Mother of Mine 
    • 03 (11) America - Horse With No Name 
    • 04 (08) Melanie - Brand New Key
    • 05 (04) The Congregation - Softly Whispering I Love You 
    • 06 (07) Elvis Presley - I Just Can't Help Believing 
    • 07 (05) Middle of the Road - Soley Soley 
    • 08 (16) The Faces - Stay With Me 
    • 09 (09) The Johnny Pearson Orchestra - Sleepy Shores 
    • 10 (13) Cat Stevens - Morning Has Broken 
    • 11 (12) Gilbert O'Sullivan - No Matter How I Try 
    • 12 (06) Cilla Black - Something Tells Me (Something's Gonna Happen Tonight) 
    • 13 (03) Benny Hill - Ernie (The Fastest Milkman in the West) 
    • 14 (14) Isaac Hayes - Theme From 'Shaft' 
    • 15 (17) The Vienna Philharmonic Orchestra - Theme From 'The Onedin Line' 
    • 16 (28) Donnie Elbert - Where Did Our Love Go? 
    • 17 (29) Al Green - Let's Stay Together 
    • 18 (10) T. Rex - Jeepster 
    • 19 (15) Val Doonican - Morning 
    • 20 (20) The John Barry Orchestra - Theme From 'The Persuaders'
    Celebrating their third week at the top of the UK charts this week in 1972 were The New Seekers with "I'd Like To Teach The World To Sing" a song that was simultaneously riding high in the American Top 10. Not a lot in this week's chart that excited me, actually, quite a few songs I don't remember at all, especially the track "Horse With No Name" by America!

    Wednesday, 18 February 2026

    UK Singles Charts 1972-1989 (15th January 1972)

    UK Singles Chart 15th January 1972

     

    • 01 (01) The New Seekers - I'd Like to Teach the World to Sing 
    • 02 (12) Neil Reid - Mother Of Mine 
    • 03 (02) Benny Hill - Ernie (The Fastest Milkman in the West) 
    • 04 (04) The Congregation - Softly, Whispering I Love You 
    • 05 (05) Middle of the Road - Soley Soley 
    • 06 (07) Cilla Black - Something Tells Me (Something's Gonna Happen Tonight) 
    • 07 (10) Elvis Presley - I Just Can't Help Believing 
    • 08 (24) Melanie - Brand New Key 
    • 09 (08) The Johnny Pearson Orchestra - Sleepy Shores 
    • 10 (03) T. Rex - Jeepster 
    • 11 (21) America - A Horse With No Name 
    • 12 (09) Gilbert O'Sullivan - No Matter How I Try 
    • 13 (30) Cat Stevens - Morning Has Broken 
    • 14 (06) Isaac Hayes - Theme From 'Shaft' 
    • 15 (13) Val Doonican - Morning 
    • 16 (23) The Faces - Stay With Me 
    • 17 (25) The Vienna Philharmonic Orchestra - Theme From 'The Onedin Line' 
    • 18 (15) Deep Purple - Fireball 
    • 19 (14) Labi Siffre - It Must Be Love 
    • 20 (27) The John Barry Orchestra - Theme From 'The Persuaders'
    No surprise The New Seekers held on to top spot in the charts, the song was actually used for an advert for Coca-Cola! Not a great deal else for me to get excited about in this weeks chart, I remember the Cat Stevens track, obviously T-Rex, although I wasn’t a big T-Rex fan.