Wednesday, 4 March 2026

Pet Shop Boys - Album By Album (Week #9)

FUNDAMENTAL

The Pet Shop Boys album "Fundamental", their ninth studio album, was released on May 22, 2006, in the UK and various other countries, with a later release in the US on June 27, 2006. The album marked a significant collaboration with renowned producer Trevor Horn, known for his work with Frankie Goes to Hollywood and ABC, bringing a grand, orchestral, and richly textured approach to the duo's synth-pop foundation. Recording took place primarily at Sarm West Studios in London during spring, summer, and early autumn of 2005.

"Fundamental" was conceived with a thematic manifesto focused on contemporary issues of authoritarianism and fundamentalism, reflecting in the lyrics and mood throughout the album. Although initially intended to be a minimal electro dance record, the project evolved into a collection of epic songs with expansive arrangements, orchestrations, and a sonic depth reminiscent of the Pet Shop Boys' earlier acclaimed works like "Actually," "Behaviour," and "Very." The album balances political and social commentary with the duo's trademark witty, sophisticated lyricism.

The track list comprises eleven new compositions by Neil Tennant and Chris Lowe, along with one song, "Numb," written by Diane Warren, originally planned for an earlier greatest hits release. The album bears a dedication to two Iranian teenagers executed for homosexual behavior, reflecting its engagement with themes of intolerance and human rights.

Interesting elements of the album include its artwork inspired by Dan Flavin's fluorescent tube art, representing a minimalist yet striking visual identity. A limited-edition double CD version, "Fundamentalism," features remixes and additional tracks, including a new version of "In Private," a duet between Neil Tennant and Elton John.

Critically, "Fundamental" was well received for recapturing the grandeur and creativity of the duo’s peak years, earning two Grammy nominations in 2007 for Best Electronic/Dance Album and Best Dance Recording ("I'm with Stupid"). Despite modest commercial sales compared to earlier albums, it established "Fundamental" as an artistically ambitious album that reaffirmed the Pet Shop Boys' continued relevance and craft in 21st-century pop music.

Overall, "Fundamental" stands out as a powerful synthesis of classic Pet Shop Boys synth-pop with modern production polish, thoughtful socio-political themes, and Trevor Horn's signature lush, layered sound, making it a pivotal release in their extensive discography.

Psychological

Opens with a moody, suspenseful feel, reminiscent of a psychological thriller, with minimal synth layers and sound effects that evoke tension and mystery. Its thematic focus hints at fear, paranoia, and mental unrest.

The Sodom And Gomorrah Show

Features a circus-like, theatrical production with electric guitars, disco strings, and a lively rhythm. Lyrically, it satirizes sensationalism and moral panic, with a sharp critique of contemporary culture.

I Made My Excuses And Left

A slow, melancholic ballad built around dramatic synths and introspective lyrics about evasion, regret, and emotional withdrawal.

Minimal

An energetic, danceable track with a driving beat, minimalistic synth textures, and lyrics exploring themes of subtlety, control, and societal manipulation.

Numb

A powerful, emotionally raw ballad that delves into themes of disconnect and emotional numbness, with lush orchestration and tender vocals.

God Willing

An atmospheric, haunting instrumental that offers a moment of reflection, heavily influenced by orchestral and ambient sounds.

Luna Park

A slower, contemplative track evoking nostalgia, with lyrical themes of escapism and the fleeting nature of happiness, enhanced by the song's lush arrangement.

I'm With Stupid

A catchy, upbeat critique of political and social stupidity, incorporating dance beats, with ironic lyrics about authority figures and conformity.

Casanova in Hell

Darkly comic, it humorously discusses aging and sexual decline, with a theatrical production style.

Twentieth Century

An energetic, synth-driven anthem about modernity and societal change, with a playful yet critical tone.

Indefinite Leave To Remain

A reflection on immigration and identity, with lyrics emphasizing belonging and acceptance, set against a backdrop of subtle electronic textures.

Integral

The track criticizes the Identity Cards Act 2006. A statement from the band cited the issue as the reason that Neil Tennant ceased his well-publicized support of Tony Blair’s Labour Party.

Interesting facts: The album's cover art features stark, minimalist imagery, reflecting the serious themes contained within, and "Fundamental" was considered one of the duo's most political albums, addressing issues like terrorism, morality, and authoritarianism. It received positive reviews for its ambition and depth, though some critics felt the weight of its political commentary made it less accessible than their earlier, more playful work.

Overall, "Fundamental" combines sharp social critique with lush, cinematic production, showcasing the Pet Shop Boys’ ability to blend political insight with high-quality pop music.

Final thoughts….

A very good move to have Trevor Horn produce this album, his production style certainly suited the songs the duo wrote for this album and I felt they needed something special after a disappointing run of album releases and they have delivered with this album, although not on totally top form. “The Sodom And Gomorrah Show” should definitely have been a single.

TRACK RATINGS

Each track on the album is scored on the following basis, an excellent tracks scores 3 points, a good track scores 2 points, an ok track scores 1 point and an awful track, scores no points, the total is added up and divided by the maximum number of points that would be available and then times that by 100 to get your overall score.  For example if an album scores 20 points and there are 10 tracks on the album, that means it can achieve a maximum score of 30, so divide 20 by 30 and times it by 100, it gives you a figure of 66.66, which is the final score rating for the album, in this case you would round it up to 67, if it was 66.33, you would round it down to 66. In the event there is a tie, the album with the most tracks rated at 3 ranks as higher.

Psychological 1

The Sodom And Gomorrah Show 3

I Made My Excuses And Left 2

Minimal 2

Numb 2

God Willing 1

Luna Park 2

I’m With Stupid 2

Casanova In Hell 2

Twentieth Century 1

Indefinite Leave To Remain 2

Integral 3

Score 23

FINAL ALBUM RATING 77 

Current Album Chart 

1.       Actually - 80 (6 Tracks Rated As 3)

2.       Please - 80 (5 Tracks Rated As 3)

3.       Introspective - 78

4.       Fundamental - 77

5.       Behaviour - 73

6.       Very - 69

7.       Release - 57

8.       Bilingual - 47

9.       Nightlife - 42

Tuesday, 3 March 2026

UK Singles Chart 1972-1989 (April 29th 1972)

UK Singles Chart 29th April 1972


  • 01 (01) The Royal Scots Dragoon Guard - Amazing Grace 
  • 02 (03) Ringo Starr - Back Off Boogaloo 
  • 03 (02) Nilsson - Without You 
  • 04 (04) The Chiffons - Sweet Talking Guy 
  • 05 (14) Vicky Leandros - Come What May 
  • 06 (07) Tom Jones - The Young New Mexican Puppeteer 
  • 07 (15) Tyrannosaurus Rex - Debora / One Inch Rock 
  • 08 (09) Jo Jo Gunne - Run Run Run 
  • 09 (18) Marmalade - Radancer 
  • 10 (05) Elvis Presley - Until It's Time For You to Go 
  • 11 (20) David Cassidy - Could It Be Forever 
  • 12 (06) The New Seekers - Beg, Steal or Borrow 
  • 13 (19) Johnny Nash - Stir It Up 
  • 14 (28) Johnny Cash and the Evangel Temple Choir - A Thing Called Love 
  • 15 (13) Labi Siffre - Crying, Laughing, Loving, Lying 
  • 16 (08) Argent - Hold Your Head Up 
  • 17 (11) Neil Young - Heart of Gold 
  • 18 (ne) The Rolling Stones - Tumbling Dice 
  • 19 (12) Les Crane - Desiderata 
  • 20 (27) Greyhound - I Am What I Am
  • The Royal Scots Dragoon Guard remain number 1 for a third week, The Rolling Stones have a new entry at 18 with "Tumbling Dice", another track I don't recall, I did remember the single before this one "Brown Sugar", it was played at the school disco at Primary/Junior school, it was popular too, tracks by Greyhound and Neil Young are another 2 tracks I don't remember.
     

    Nilsson remains in the top 3 and Ringo Starr moves up to number 2, David Cassidy was very popular in the 1970s and I liked quite a few of his singles, but didn't buy any, I would buy my first singles in 1973, at this point I was always glued to my radio listening to the charts and also the chart show on Radio Luxembourg on a Monday night....they were the days!

    UK Singles Chart 1972-1989 (22nd April 1972)

     UK Singles Chart 22nd April 1972


  • 01 (01) The Royal Scots Dragoon Guard - Amazing Grace 
  • 02 (02) Nilsson - Without You 
  • 03 (04) Ringo Starr - Back Off Boogaloo 
  • 04 (05) The Chiffons - Sweet Talking Guy 
  • 05 (19) Elvis Presley - Until It's Time For You to Go 
  • 06 (03) The New Seekers - Beg, Steal or Borrow 
  • 07 (07) Tom Jones - The Young New Mexican Puppeteer 
  • 08 (06) Argent - Hold Your Head Up 
  • 09 (17) Jo Jo Gunne - Run Run Run 
  • 10 (08) Gilbert O'Sullivan - Alone Again (Naturally) 
  • 11 (10) Neil Young - Heart of Gold 
  • 12 (09) Les Crane - Desiderata 
  • 13 (11) Labi Siffre - Crying, Laughing, Loving, Lying 
  • 14 (26) Vicky Leandros - Come What May 
  • 15 (12) Tyrannosaurus Rex - Debora / One Inch Rock 
  • 16 (14) The Supremes - Floy Joy 
  • 17 (18) Olivia Newton-John - What Is Life? 
  • 18 (21) Marmalade - Radancer 
  • 19 (24) Johnny Nash - Stir It Up 
  • 20 (34) David Cassidy - Could It Be Forever
  • Just as Beg, Steal or borrow by The New Seekers - the UK Eurovision entry for 1972 - was beginning to drop down the chart, Vicky Leandros arrived in the Top 20 with the English version of the winning song that year, "Come What May".

    She had performed it at the final held on March 25 at the Usher Hall in Edinburgh and history shows that it was the favourite song with the two UK jurors who awarded the entry the maximum ten points.

    As it turned out, 1972's Contest was quite a close run thing between the UK's New Seekers and Ms Leandros' entry for Luxembourg. Once the final votes had been announced, Come What May had amassed a winning margin of just fourteen points.

    One thing that stands out about the charts in the 1970s was how long records hung around in the Top 20.

    UK Singles Chart 1972-1989 (15th April 1972)

    UK Singles Chart 15th April 1972


  • 01 (03) The Royal Scots Dragoon Guards - Amazing Grace 
  • 02 (01) Nilsson - Without You 
  • 03 (02) The New Seekers - Beg, Steal or Borrow 
  • 04 (15) Ringo Starr - Back Off Boogaloo 
  • 05 (08) The Chiffons - Sweet Talking Guy 
  • 06 (05) Argent - Hold Your Head Up 
  • 07 (13) Tom Jones - The Young New Mexican Puppeteer 
  • 08 (04) Gilbert O'Sullivan - Alone Again (Naturally) 
  • 09 (09) Les Crane - Desiderata 
  • 10 (11) Neil Young - Heart of Gold 
  • 11 (20) Labi Siffre - Crying, Laughing, Loving, Lying 
  • 12 (27) T-Rex - Debora / One Inch Rock 
  • 13 (06) Lindisfarne - Meet Me on the Corner 
  • 14 (10) The Supremes - Floy Joy 
  • 15 (12) The Partridge Family - It's One of Those Nights 
  • 16 (07) Don McLean - American Pie 
  • 17 (21) Jo Jo Gunne - Run Run Run 
  • 18 (16) Olivia Newton-John - What Is Life? 
  • 19 (18) Elvis Presley - Until It's Time For You to Go 
  • 20 (17) Engelbert Humperdinck - Too Beautiful to Last
  • Nilssons run at number 1 comes to an end and no surprise The Royal Scots Dragoon Guards take over at number 1, I remember I quite liked the record too! Glad my musical changed so drastically from 1979 onwards!

    T-Rex back in the charts with "Deborah", not sure I remember that track. Don't recall the Tom Jones track either.

    A surprise that Don McLean's "American Pie" didn't make number 1 in 1972, I always thought it did!

    UK Singles Chart 1972-1989 (8th April 1972)

    UK Singles Chart 8th April 1972


  • 01 (01) Nilsson - Without You 
  • 02 (02) The New Seekers - Beg, Steal or Borrow 
  • 03 (31) The Royal Scots Dragoon Guards - Amazing Grace 
  • 04 (03) Gilbert O'Sullivan - Alone Again (Naturally) 
  • 05 (05) Argent - Hold Your Head Up 
  • 06 (06) Lindisfarne - Meet Me on the Corner 
  • 07 (04) Don McLean - American Pie 
  • 08 (15) The Chiffons - Sweet Talkin' Guy 
  • 09 (07) Les Crane - Desiderata 
  • 10 (09) The Supremes - Floy Joy 
  • 11 (17) Neil Young - Heart of Gold 
  • 12 (11) The Partridge Family - It's One of Those Nights 
  • 13 (19) Tom Jones - The Young New Mexican Puppeteer 
  • 14 (08) Paul Simon - Mother and Child Reunion 
  • 15 (18) Ringo Starr - Back Off Boogaloo 
  • 16 (20) Olivia Newton-John - What Is Life? 
  • 17 (14) Engelbert Humperdinck - Too Beautiful to Last 
  • 18 (26) Elvis Presley - Until It's Time For You to Go 
  • 19 (12) The Chelsea Football Team - Blue is the Colour 
  • 20 (23) Labi Siffre - Crying, Laughing, Loving, Lying
  • Judy Collins' vocal version of "Amazing Grace" had already spent the best part of a year on the UK Singles Chart when a bagpipe rendition suddenly took the Top 20 by storm and became one of the most unexpected hit records of recent times.

    The Pipes and Drums and Military Band of the Royal Scots Dragoon Guards - to give them their full name - not only managed to invade the British charts, but also saw success worldwide with the recording.

    It topped the charts in Australia, Canada, Ireland, New Zealand and South Africa and would begin a run of five weeks at the peak of the British charts in mid-April.

    By the end of the year the recording had become the biggest selling disc of 1972 in the UK and would go on to sell around seven million copies around the world by 1977.

    Nilsson enjoys a 5th week at number 1 and The New Seekers stay in the number 2 position.

    UK Singles Chart 1972-1989 (1st April 1972)

    UK Singles Chart 1st April 1972


  • 01 (01) Nilsson - Without You 
  • 02 (02) The New Seekers - Beg, Steal or Borrow 
  • 03 (04) Gilbert O'Sullivan - Alone Again (Naturally) 
  • 04 (03) Don McLean - American Pie 
  • 05 (07) Argent - Hold Your Head Up 
  • 06 (05) Lindisfarne - Meet Me on the Corner 
  • 07 (09) Les Crane - Desiderata 
  • 08 (06) Paul Simon - Mother and Child Reunion 
  • 09 (10) The Supremes - Floy Joy 
  • 10 (08) Michael Jackson - Got to Be There 
  • 11 (14) The Partridge Family - It's One of Those Nights 
  • 12 (11) The Chelsea Football Team - Blue is the Colour 
  • 13 (13) Donnie Elbert - I Can't Help Myself 
  • 14 (19) Engelbert Humperdinck - Too Beautiful to Last 
  • 15 (24) The Chiffons - Sweet Talkin' Guy 
  • 16 (12) Chicory Tip - Son of My Father 
  • 17 (25) Neil Young - Heart of Gold 
  • 18 (ne) Ringo Starr - Back Off Boogaloo 
  • 19 (ne) Tom Jones - The Young New Mexican Puppeteer 
  • 20 (21) Olivia Newton-John - What is Life?
  • Nilsson's "Without You" entered its fourth week as the UK's best selling song on this date in 1972, but below him several new songs were about to make their own impression on the Top 20.

    Surprisingly, The Chiffons led the pack of five new entries with a re-release of their 1966 American hit, Sweet Talkin' Guy. 1972 was fast becoming a year for recycling old singles and this was to become one of the most successful.

    Elsewhere, there was no messing around from both Ringo Starr and Tom Jones as their latest releases landed directly in the Top 20.

    UK Singles Chart 1972-1989 (25th March 1972)

    UK Singles Chart 25th March 1972


  • 01 (01) Nilsson - Without You 
  • 02 (03) The New Seekers - Beg, Steal or Borrow 
  • 03 (02) Don McLean - American Pie 
  • 04 (06) Gilbert O'Sullivan - Alone Again (Naturally) 
  • 05 (09) Lindisfarne - Meet Me on the Corner 
  • 06 (05) Paul Simon - Mother and Child Reunion 
  • 07 (21) Argent - Hold Your Head Up 
  • 08 (07) Michael Jackson - Got to Be There 
  • 09 (20) Les Crane - Desiderata 
  • 10 (18) The Supremes - Floy Joy 
  • 11 (08) The Chelsea Football Team - Blue is the Colour 
  • 12 (04) Chicory Tip - Son of My Father 
  • 13 (11) Donnie Elbert - I Can't Help Myself 
  • 14 (19) The Partridge Family - It's One of Those Nights 
  • 15 (10) Neil Reid - Mother of Mine 
  • 16 (17) Wings - Give Ireland Back to the Irish 
  • 17 (12) The Sweet - Poppa Joe 
  • 18 (13) Slade - Look Wot You Dun 
  • 19 (26) Engelbert Humperdinck - Too Beautiful to Last 
  • 20 (22) The New Seekers - I'd Like to Teach the World to Sing (RE)
  • Nilsson hangs on to number 1 spot for a 3rd week in a row as The New Seekers go above Don McLean, their previous Number 1 hit "I'd Like To Teach The World To Sing" is back in the top 20!! Gilbert O'Sullivan continues to rise up the chart with "Alone Again (Naturally" and is number 4. I remember the Argent track, even though I wasn't into rock music.